Noah Schaffer reports on a disappointing show.
It was an unforgettable afternoon of music -- but for all the wrong reasons. Billed
as “The Biggest Show of Stars for 2017,” it promised sixteen acts, including a
number of the last remaining pioneers of doo-wop and rhythm & blues, all
taking place on the field outside Lamont’s, one of the Eastern Seaboard’s great
juke joints. Instead it ended
prematurely with the sound system being disassembled while groups were standing
in the wings waiting to perform, the promoters using an armed escort to flee
the venue, 7 advertised acts never appearing and a field of shocked and angry
ticketbuyers and stiffed performers.
One can’t say there
weren’t warning signs. Two of the promoters are veterans of the doo-wop
business: New York-based agent Paul Errante and DC-based Millie Russell, the
manager of the current Orioles group and the widow of Diz Russell who kept the
group going after original lead Sonny Til passed away.
But the third raised
a number of eyebrows: Florida teenager Peter Lemongello Jr., whose face graced
the flyer. One obvious question is why a high school student would be mounting
a high-risk concert requiring tens of thousands of dollars in upfront funding
hundreds of miles from home. And Lemengello’s family history seems straight out
of a John Waters film. His father, Peter Lemengello, was a 1970’s lounge singer
who starred in what is said to be the first ever direct-order TV commercial for
a recording. The ads for 'Love 76' were so incessant that they inspired
the Chevy Chase character of Peter Lemon Mood Ring on Saturday Night Live.
Lemongello Sr. also made scores of “Tonight Show” appearances and even had a
bit part in the “Godfather.” https://www.youtube.com/watch?v=wLqhduumlgI But after a major
label deal fizzled, he ended up linked to a bizarre series of kidnappings and
arsons in which his cousin, a professional baseball player, was also charged.
The 1980’s press accounts don’t say whether he served any jailtime, but today
he lives in Florida and performs at the retirement communities where many of
his New York-bred fans now reside. http://people.com/archive/peter-lemongello-fizzled-as-a-torch-singer-but-police-claim-not-as-an-arsonist-vol-18-no-2/
Peter Jr. hosts an
Internet doo-wop radio show, “Peter Lemongello Jr’s Swingin’ Soiree,” and
performs locally as an Elvis impersonator. His past efforts to mount concerts
in Florida resulted in events that were postponed before eventually get
cancelled amid accusations that some acts were advertised without ever being
confirmed.
Despite this dubious
past he somehow convinced Errante and Russell to join forces for a marathon
concert at Lamont’s, the Pomonkey, Maryland venue that has long been the only
chitlin’ circuit spot in the Northeast. The likes of William Bell, J. Blackfoot
and Clarence Carter have graced its stage, and Southern soul favorites Hardway
Connection perform biweekly for a “grown folks” crowd. Lamont’s is also a
popular gathering spot for African-American motorcycle enthusiasts.
Besides oldies
circuits favorites like Charlie Thomas’ Drifters, the Dubs and Peaches &
Herb, the show also advertised some major coups. Tommy Hunt sang lead for the
Flamingos before having a solo smash with “Human.” He’s lived in the United
Kingdom for decades where even at 84 he keeps up a steady schedule of live
dates but hasn’t done a US concert in years. http://thevinylword.blogspot.co.uk/2017/01/skegness-northern-soul-survivors-weekend.html Also billed were Joe Grier and the
Charts and Eddie Rich and the Swallows, two groups that are beloved by group
harmony fans but who are rarely booked onto commercial oldies events.
Although several DC
and Baltimore residents told me local publicity was nominal, a vintage-style
flyer for the show quickly spread on social media. Friends and associates of
Tommy Hunt were stunned to see him advertised, as Hunt had said he was willing
to do the show but was never sent a contract, airline ticket, hotel
arrangements or the deposit entertainers typically obtain before they travel to
a concert date. Even after promoters admitted he wouldn’t be present
(shamefully claiming non-existent health issues) he was still on the flyer and
his name was on the Lamont’s marquee the day of the show.
Also surprised to see
his name advertised was veteran Baltimore musician and bandleader Milton Dugger
Jr, who said he had also never confirmed that he would lead the house band
during the revue. Despite a string of increasingly angry Facebook posts
threatening legal action his name remained on the flyer as well.
It was enough to make
one doubt the entire event. But then the bulk of the roster called into
Washington radio station WPFW the week before the show to promote it and
confirm their planned presence. Herb Fame of Peaches & Herb (and a former
DC cop) came by the studio and discussed the show at length. One of the Charts
posted that he had boarded his plane to the gig. It seemed like, aside from
Hunt and Dugger, audiences would still get to hear a long afternoon of R&B
heavy hitters.
The afternoon of
August 5 couldn’t have been more perfect. There wasn’t a cloud in the sky, nor
was there any of the humidity that can make DC unbearable in the summer. At the
gate of Lamont’s stood none other than Peter Lemongello Sr. and his wife Karen
taking cash from walk-up buyers. As the 1 p.m. start time approached one artist
was finishing their sound check: JT Carter, the last surviving member of the
Crests. Carter’s group boasted a new lead singer on “16 Candles”: Peter
Lemongello Jr.
The place wasn’t
empty, but the audience was modest considering the number of groups slated to
perform. There were perhaps 150 present, and when one took out the group
members, their families and guests and members of the media, it was hard to see
how, even at $40 a pop, the ticket revenue could come close to matching the
talent budget.
About 20 minutes
after the show was slated to start local singer Barbara Washington sang a few
tunes to pre-recorded tracks. She was followed by the Voices of Harmony. The
Young Bucks, a longtime DC band led by Eddie Jones, did some well-received
covers, including a duet with Eddie’s sister on “Private Number.” Then it was
back to tracks with Baltimore soul man Winfield Parker (doing mostly covers
plus his “SOS") and an unannounced set from the Dynamic Superiors, the Motown act
famous for their ballad “Shoe Shoe Shine.”
Finally, well after
3pm, the audience was treated to a vintage legend singing live to a band:
Ronnie Dove, the only white artist on the bill. Opening with “Mountain of Love”
and closing with his pop hit of Wanda Jackson’s “Right or Wrong,” the 82-year
old Dove displayed a great example of blue-eyed soul at its finest.
The show really
picked up steam with the Swallows (pictured below), still led by 86-year old Eddie Rich, who is
surely one of the only living singers who recorded in the late 40’s. Not only
were his vocals as passionate as ever on the ballads like “When The Swallows
Come Back To Capistrano” and “Beside You” but he showed he can still dance up a
storm on “Ride, Eddie, Ride.” This was living group harmony history at its
finest. The Orioles’ backing band did a good job behind Dove and Rich.
While there are no
living Orioles left, the current group of singers who spent years with Russell
did an excellent job recreating their classic sound. The current Washington-DC
Clovers (there’s another version out there that includes original Harold
Winley) did their best although they were hampered by a poor backing track.
At this point I went
to the parking lot to grab something from my car and witnessed a strange sight:
a woman was following the Lemongellos and Errante yelling at them about someone
not getting paid. Although she didn’t personally say she would do anything violent,
she made it clear that “someone” might want to do them bodily harm unless the
money showed up.
Shortly thereafter
the band members started unplugging their instruments and packing up, grumbling
to each other about getting stiffed. The promoters, via their armed escort,
took off as well. Rumors started flying. Shep’s Limelites, another legacy
group, went on with tracks and did an admirable job entertaining the audience
considering they knew their chances of going home with their full pay was nominal.
Once the Limelites
exited the sound crew quickly broke down the PA equipment. Charlie Thomas of
the Drifters, a trooper if there ever was one, stood by the stage greeting his
fans and saying he still hoped to somehow gather a band and sing. The Dubs also
walked around apologizing for the situation. Peaches & Herb were never
spotted. Of course with no PA there could be no announcement. Inside Lamont’s
annoyed ticketholders vented to the security staff, who explained that the club
had simply been rented to the outsiders. Slowly people dispersed. Group members
compared notes to figure out who had been paid in full, in part or not at all.
In the aftermath
fingers started pointing. Millie Russell said her only role was to arrange the
Washington-based groups, which were unpaid. Errante said the sound crew had
been paid but had only been hired to work until 5 p.m. and that they had a
later gig. Saying that he was also a “victim,” he added that an unnamed third
party had promised funding which he only learned during the show would never
materialize, and pledged to get the artists their full fees although he himself
was out a considerable sum. As for Lemengello and his parents, there’s been
total silence in the days following the show.
All of the promoters
have a true love for the music. Errante and Russell have been involved in it
for decades. It’s inconceivable that anyone set out on this ill-fated journey
with the intent of ripping off the singers they love or the dwindling fans of
1950’s harmony. But the adults involved should have stopped indulging the
unrealistic dreams of a 50’s obsessed teen long before the day of the show.
Let’s hope that they can figure out a way to make things whole for both the
artists, who’ve long suffered through the financial indignities of the music
industry, and for the fans who got far less than the show they bought tickets
for.
